Walter Samuel
Abridged analytical notes on the film music of Klaus Harmony.
Hamburg, 1997
With two talented swimmers among the cast of The Ladies Man in Jürgen Klampf and Lola Schlipp, Friedrich Wohlfäht was keen to experiment with underwater photography. Overcoming technical difficulties, the director was able to complete almost forty seconds of footage with the actors. The scene in question framed the protagonist's reverie of absolute sexual freedom and Klaus Harmony embodied the desired sense of liberation, employing phasing techniques and Eastern elements to accompany the slow motion editing.